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“They made him the real guy on the team and that movie entirely functions because Hawkeye says, ‘I think I saw a couple more people out there’ and he gets up and starts moving before Cap and Thor. “ gave him a family and a heart that ran around that side of his body,” Fraction says. So what does this responsible family man have to do with the train wreck bachelor of the Fraction-Aja comic? Fraction sees the two as not that dissimilar. The ‘Hawkeye’ Premiere Recap: The Clint Barton School of Mentorship Clint’s desperate desire to get back home to Missouri for Christmas puts a nice, propulsive ticking clock on the Disney+ story compared to the aimless after-hours vibe of the Fraction-Aja book. Nat died so Clint could be with his family, and racked with guilt, Clint overcompensates by trying to ensure his family has “the best Barton Christmas ever.” Then, maybe, his best friend won’t have died for nothing. That family field trip, Rhys Thomas says, connects back to Natasha’s sacrifice in Avengers: Endgame.
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So the Hawkeye TV writers engineered a story in which Clint has come to New York City to celebrate Christmas with his three kids. Obviously, that premise won’t work for the Clint who, as we discovered in Avengers: Age of Ultron, has a wife and kids on a farm in Missouri. “You have two and a half hours to go run an errand? I can do a Hawkeye issue in that two and a half hours.” One of the books’ most enjoyable issues-which the show riffed on heavily for the recent Disney+ Day footage-is what happens when Clint tries to buy some tape to label all his trick arrows.įraction’s Clint is a hapless single guy who spends his off-days trying to protect the other tenants of his apartment building in Brooklyn’s Bed-Stuy neighborhood. “This is what happens when he goes home to do laundry,” Fraction says. The concept of Fraction and Aja’s comic centers on what Clint gets up to when he isn’t getting battered trying to save the world.
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In the comics, Aja draws Clint as constantly covered in bandages, which is something the Disney+ series will have some fun with. He is, at minimum, the one most likely to be nursing cuts, bruises, and scars due to his complete lack of superpowers. In the comics, as in the films, Clint is potentially the least powerful, most breakable Avenger. So, in a spoiler-free way, here are a few important comic book knowledge arrows you can put in your quiver to help you prepare for Marvel’s action-packed holiday adventure, with input from both Fraction and series executive producer Rhys Thomas. Speaking with The Ringer-Verse podcast, Fraction outlined some of the more important similarities between these Hawkeye stories and how they will play out for a whole new audience. There will still be surprising twists and turns in the six upcoming episodes, especially given how Fraction’s version of the down-on-his-luck bachelor Clint Barton differs from Jeremy Renner’s competent family man. (Disney could not confirm whether Annie Wu was also compensated for her contributions.) That means that now, more than ever, we have something of a road map for what to expect from a Marvel TV show. Even the logo is the same.įraction and Aja were compensated for their influential work, with Fraction even serving as a consulting producer on the Disney+ series.
Whether this tactic is to ensure audiences will be surprised or to avoid having to pay the authors of the original comics for their work is the subject for another article, but Marvel decided to break with tradition when it lifted very heavily from Matt Fraction, David Aja, and Annie Wu’s award-winning stretch from 2012 to 2015 for the new Hawkeye limited series. WandaVison, for example, played brilliantly with popular Marvel comics like House of M and Vision. Though some of the film titles-like Avengers: Civil War or Captain America: The Winter Soldier-invoke comic story lines, Marvel always has found a way to twist and turn the familiar book plots into something new. Ever since it first launched Iron Man in 2008, Marvel Studios has been able to cleverly side-step some of its more famous comic book story lines when creating its films and, now, TV shows.
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